By Michael Camille
Medieval image-makers concentrated cognizance at the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all discovered their position, besides knights and clerics, engaged in impudent antics within the margins of prayer-books or, as gargoyles, at the outsides of church buildings. Camille brings us to an knowing of ways marginality functioned in medieval tradition and exhibits us simply how scandalous, subversive and impressive the paintings of the time may perhaps be.
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Extra info for Image on the Edge: The Margins of Medieval Art (Essays in Art and Culture)
Image on the Edge: The Margins of Medieval Art (Essays in Art and Culture) by Michael Camille