By Ashon Crawley
Examining the whooping, shouting, noise-making, and talking in tongues of Black Pentecostalism—a multi-racial, multi-class, multi-national Christian sect with one strand of its sleek genesis in 1906 Los Angeles—Blackpentecostal Breath finds how those aesthetic practices permit for the emergence of different modes of social association. As Crawley deftly unearths, those choreographic, sonic, and visible practices and the sensual reports they convey should not in simple terms very important for imagining what Crawley identifies as “otherwise worlds of possibility,” in addition they yield a basic hermeneutics, a strategy for analyzing tradition in an period whilst such expressions are more and more below siege.
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Blackpentecostal Breath: The Aesthetics of Possibility (Commonalities) by Ashon Crawley