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By Valentine Moulard-Leonard

Explores the continuities and discontinuities within the paintings of Henri Bergson and Gilles Deleuze.

Bergson-Deleuze Encounters sheds mild at the tricky bond among French philosophers Henri Bergson and Gilles Deleuze. It explores the foremost diffraction among the 2 thinkers, conveys a feeling of the irreducible originality of Deleuze’s notion, and provides an in depth account of Bergson’s “Copernican Revolution.” In so doing, it provides an evidence of inspiration and adventure that contrasts with the dominant account of the phenomenological culture. Valentine Moulard-Leonard argues that Bergson and Deleuze proportion a unique belief of the transcendental—which they name the Virtual—that marks a brand new period in pondering, within which what's eventually at stake is a brand new imaginative and prescient of time, event, and materiality. The digital presents an fundamental replacement to the totalizing structures spawned by way of the conventional transcendent picture of thought—be they structures of idealism, medical positivism, nationalism, racism, sexism, or dogmatism.

“The courting among Bergson’s and Deleuze’s works has but to be explored absolutely, and the writer makes a powerful case for a primary continuity of their concept. Her specialise in them as advocates of a post-Kantian philosophy of transcendental event brings to the fore the basic ontological and epistemological dimensions in their thought.” — Ronald Bogue, writer of Deleuze’s Wake: Tributes and Tributaries

Valentine Moulard-Leonard is an self reliant pupil residing in Memphis, Tennessee.

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Bergson-Deleuze Encounters: Transcendental Experience and the Thought of the Virtual (SUNY series in Contemporary French Thought) by Valentine Moulard-Leonard

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