Andrea Easley Morris's Afro-Cuban Identity in Post-Revolutionary Novel and Film: PDF

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By Andrea Easley Morris

Afro-Cuban id in Post-Revolutionary Novel and movie examines the altering discourse on race as portrayed in Cuban novels and flicks produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and wondering of the innovative government’s revision of nationwide identification to incorporate the original event and contributions of Cuban women and men of African descent. whereas the Cuban revolution introduced sweeping alterations that significantly stronger the cloth situation of many Afro-Cubans, on the time overrepresented between Cuba’s negative and marginalized, the government’s legit place was once that racial inequities were resolved as early as 1962. even supposing a extra open discussion on race was once minimize brief, the paintings of a number of novelists and movie administrators from the past due Nineteen Sixties and 70s expresses the necessity to discover what used to be received and misplaced through Afro-Cubans within the early years of the revolution, between them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara Gómez, César Leante, Tomás Gutiérrez Alea, Sergio Giral, and Manuel Cofiño.

Their works perform the method of redefining Cuban nationwide identification that happened after the revolution and, extra particularly, they discover where of Afro-Cuban identification inside of a broader concept of innovative “Cubanness.” this happens via an emphasis on Afro-Cuban cultural practices that experience constituted varieties of resistance to colonial and neo-colonial oppression. This e-book examines the identification conflicts portrayed in those works and takes under consideration the artists’ negotiation in their personal prestige in the innovative context by way of taking a look at the narrative suggestions used to handle racial matters in the constraints put on cultural creation in Cuba after 1962.

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Afro-Cuban Identity in Post-Revolutionary Novel and Film: Inclusion, Loss, and Cultural Resistance by Andrea Easley Morris

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